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Lamborghini Countach LP 500R Black Kyosho 1:18

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Lamborghini Countach LP 500R Black Kyosho 1:18 08320C Diecast
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Kyosho's 1:18 diecast Lamborghini Countach reproduces the 1982 wedge supercar in black, with functional scissor doors on a zinc alloy body shaped after Marcello Gandini's design for Bertone. The dark finish lets the flat, angular panels read through shadow and highlight, a strong contrast piece for a Supercars shelf built around 1980s exotics.
Lamborghini Countach LP 500R Black Kyosho 1:18
Current price: 230.00 €
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Specifications
Brand
Lamborghini
Manufacturer
Kyosho
Scale
1:18
Material
Diecast
Model Condition
New Model
SKU
08320C
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About the Lamborghini Countach LP 500R Black Kyosho 1:18

TL;DR: Kyosho's 1:18 diecast Lamborghini Countach reproduces the 1982 wedge supercar in black, with functional scissor doors on a zinc alloy body shaped after Marcello Gandini's design for Bertone. A Street Models piece built for a Supercars shelf that favors dramatic silhouette over subtlety.

Black does something to a wedge shape that no other color quite manages: it turns creased panels into shadow lines instead of paint highlights. Kyosho's Countach wears that finish well, and the scissor doors still swing with real mechanical presence underneath it.

Kyosho's Diecast Construction on a Wedge Silhouette

Scissor Door Mechanics Under a Dark Finish

The scissor doors lift up and forward on metal hinges that hold their set position rather than drifting shut on their own, a functional detail that matters more on the Countach than on almost any other diecast subject since the doors are half the reason anyone picks the model up in the first place. Black paint hides minor panel inconsistencies more forgivingly than a bright color would, but it also demands even, deep coverage to avoid looking flat under indoor lighting, and Kyosho's finish holds enough depth to catch the creases along the flat hood and rear deck rather than swallowing them into a single dark mass.

Diecast Versus a Sealed Alternative

A sealed resin version of the same subject could theoretically hold tighter shut lines around the door openings, but it would give up the scissor-door action entirely, locking the car's signature feature permanently closed. For a subject built almost entirely around a dramatic visual gesture, that's a trade most collectors wouldn't accept, and Kyosho's diecast construction keeps the one feature that separates a Countach model from any other wedge-shaped exotic fully functional.

The Countach's Bertone-Gandini Design Legacy

A Flat, Angular Break From Curved Exotics

Marcello Gandini's design for Bertone threw out the curved, flowing lines that had defined Italian exotics up to that point in favor of a flat, angular wedge with almost no visual softness anywhere on the body. That break was deliberate and it worked, turning the Countach into a design landmark referenced by supercars for decades afterward, well beyond Lamborghini's own later models. The car's proportions, low, wide, and impossibly flat across the hood, made it look futuristic on introduction and somehow still do today.

A Shape Built to Photograph, Not Just Drive

Much of the Countach's cultural reach came from how well it photographed rather than from anything measured on a track, its flat surfaces and dramatic angles reading as pure aggression from nearly any camera position. That photogenic quality is part of why the car became a fixture on posters and in magazines long after its production run ended, and it's the same quality that makes a well-finished diecast version worth displaying prominently.

Black Livery and Display Contrast Strategy

Positioning Against Brighter Countach Variants

Displayed next to a brighter Countach finish, black reads as the more serious, understated option, letting the wedge shape's angles do the work through shadow and highlight rather than bold color. At roughly 22 centimeters long, it occupies the same footprint as other 1980s exotics on a Supercars shelf, and pairing a dark example with a bright one from the same era gives a display genuine visual range without needing to source additional subjects.

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